Skip to main content



Doubleface card weaving is actually considerably simpler than it looks, by a good long measure. The basic principle is that you warp your deck up in two colours, with one colour in 2 adjacent holes and the other colour in the opposite holes.

Say it's white and black. You then set your pack with all of the white facing towards you and al the black facing away.

Now, to make a white-face cloth, you turn the whole pack forward for two turns. the white will now be facing away from you. To continue making plain white you then turn the whole deck backwards for two turns (for clarity, 90 degree turns)

Now, if you want to make some black come up on the surface, you take the cards you want to be weaving black and slide them forward, to make a second pack above the first.

Now, for clarity, when you're weaving white, what will happen is you'll first turn the white cards once so that all the white threads are on top. then turn them once more so the white threads end on the opposite side.

In order to create two colours, you turn the other pack in the opposite direction.

Say that you start with all white towards you, and you are weaving white with the front pack and black with the back pack. In this instance you will then turn the front pack forwards and the back pack backwards, for two turns. One both packs of cards have been turned twice, they will now be again colour-aligned in the same way as they were in the first place. You can now either continue, add more cards to the black pack, or take some cards back down to the white deck.

To make lettering and knotwork and so on is hereby reasonably simple, provided you work from graph paper. I have some graph paper printed from incompetech.org that is set up with the boxes longer than they are wide. each box represent a full 2-pick 180' turn of both packs. I simply move a ruler up to the next row after each 2 picks, and slide the cards up and down as necessary.

It's of course a time-consuming process, but the results are very satisfying. Also, I've found it's best when tucking the weft to leave a little bit out the side before card turning, then tucking it in before pressing the fell back. if you tuck after, then the weft is compressed and you have to pull it hard to take it in, which causes it to stretch out. Then the band just gets narrower and narrower and the selvedge threads end up getting way too tight. Only figured this out myself the other day. Of course, I was using lurex with an elastane ply in it, which doesn't help cause there's nothing elastane likes better than recovering from stretch ;-)

Also, you're better weaving this stuff on a fixed loom. I've also started using a comb behind the cards to keep each card's ends seperated. I'm actually using a bit of an industrial comb that must have been salvaged from a knotting setup at some point, but you can use a normal comb of some kind, and if it's pushing too wide, just turn it diagonal a wee bitty.

You can weave it back-strap but I've gone off that as it's next to impossible to create even patterns due to the difficulty in maintaining an even tension across the band. I'm sure you've got an inkle sitting about somewhere. If i'm weaving long bands I simply wrap the excess warp around the final peg several times and secure it with a half hitch. Do the same with the finished cloth. When you want to advance the warp, simply turn the wound warp forward the required amount and pick up the slack by doing the same with the cloth.

I have so far been using the whole pack in the S orientation, but I'm told you're better of orientating the cards S,Z,S,Z which apparently allows for smoother diagonal lines. Even so, I like the results I'm getting so far.

Comments

Unknown said…
Bel post!!!

Me piace molto tuo blog... passa da me se ti va!

Buona settimana.. Bacii

http://couturetrend.blogspot.it/

Popular posts from this blog

Tablet Weaving Lesson #1: Backstrap weaving a simple diamond motif

This is the first in a series of video and photo tutorials showing basic to advanced tablet-weaving concepts. These lessons shall each build on the last and hopefully take the viewer from simple diamond patterns up to more complicated double face pattern weaving with finer yarns and eventually onto the heady heights of brocading and other fancy techniques (just as soon as I learn how to do them myself). In this first lesson we'll learn the basic weaving steps involved in weaving a diamond pattern in the backstrap style. This lesson is meant for someone who has purchased a ready-made warp from me. The next lesson shall detail how to design and make this warp oneself. And we begin This is the basic pattern we are making. The woven band is tied to my waist with another strap. I am holding a small stick shuttle in my right hand which contains the weft. In front of me are the cards, each card has 4 warp threads going through it. The gap that you can see is called the

treble-cloth construction

I am currently in the process of designing a triple layered fabric. One layer shall carry conductive warp threads (one out of every three), another layer shall carry conductive weft threads (again, one out of every three) and a third layer shall lay between them and act as an insulator, keeping them apart and preventing unwanted contact between the two conductive layers. Constructing a treble cloth is a compicated process. The way that a treble cloth is woven is that first the face cloth is woven, then the centre cloth is woven, then the back cloth is woven. This is a draft for a treble cloth. The crosses indicate weaving marks for the cloth currently being woven, the dashes are lifts and are used to indicate shafts that are being lifted in the case of layers that are above the layer currently being woven. Blue is back, Red is front, Green is centre (All three layers are plain weave btw) The cloth is constructed like so 1: Back cloth is woven. All red and green marks are lif

Building a jack loom Part 1: Vague plans and messy diagrams

I've been thinking about it for a while to be fair. What I'm thinking about is an 8 shaft folding jack loom. The interesting part comes when I point out that I'm going to build an electric dobby controller into the bottom of it so it operates from one pedal and a computer program. So far I've been thinking and thinking and I'm basically roughly copying the kind of frame you'd find in a Siever's school or Baby wolf loom. Basically it's like an X that folds up on itself with the castle in the middle. Should be able to reduce it's depth from 3 feet to about 1 for storage. I don't think it's really that difficult to design the loom frame, aside from building the beams and making the ratchets and so on, which I may just jigsaw out of thick MDF. I have most of the wood I need asides from some panelling and I need to buy some aluminium sheet to make the shaft dividers with and also to hold the shaft bodies together with. The rising levers w