Process #2a - first colour warp

After building up a selection of colours I'm happy with, I then decide to myself it's a lovely idea to test these colours in various warp and weft combinations and weave structures.
This warp is the pinks and the blues which together make up my first colourway. I am threading them in a block draft on 12 shafts, in 3 4-shaft blocks. Primarily I intend to combine various 4 shaft twills, but will also experiment with other combinations of 4 shaft weaves, such as hopsack or honeycomb, bearing in mind that I have no intention of resleying as I am being economical with my time.
Which brings me to the other thing. Depending on time factors this will be the first of either 3, 6 or 9 identical warps, the next being tied onto the last in much the same manner as Blossom (The Weaving Monk) does in production. I expect this to save me about 8 hours of labour for each warp. Spread that out over 6 warps and its an entire working week.

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Tablet Weaving Lesson #1: Backstrap weaving a simple diamond motif

This is the first in a series of video and photo tutorials showing basic to advanced tablet-weaving concepts. These lessons shall each build on the last and hopefully take the viewer from simple diamond patterns up to more complicated double face pattern weaving with finer yarns and eventually onto the heady heights of brocading and other fancy techniques (just as soon as I learn how to do them myself). In this first lesson we'll learn the basic weaving steps involved in weaving a diamond pattern in the backstrap style. This lesson is meant for someone who has purchased a ready-made warp from me. The next lesson shall detail how to design and make this warp oneself. And we begin This is the basic pattern we are making. The woven band is tied to my waist with another strap. I am holding a small stick shuttle in my right hand which contains the weft. In front of me are the cards, each card has 4 warp threads going through it. The gap that you can see is called the ...

Hochdorf Two Hole Tablet Weaving

So, I saw a picture of a Hochdorf band woven by a member of the Historic Tablet Weaving group on Facebook. It looks like you can get more detailed patterning with this technique and you also get a nice sort of pebbled effect in the background weave. Anyway, so I googled it and found this webpage The Warp Factor , with a nice explanation of how to weave this band and a good diagram to go with it that tells you exactly when and where to turn the cards. Nice stuff. This is my second attempt at Hochdorf patterning. First was in acrylic to work out the technique and the use of the board. Second in 2/60's silk, to make something extra special nice. This is my new weaving board. It's a bit scrappy but it does the job. there's a few wee annoying problems with it, but the next one will be better. This is how tension is maintained on the band, with a nice even consistency. The main part of the band is held as one with a bag full of weights. The selvedge table...

treble-cloth construction

I am currently in the process of designing a triple layered fabric. One layer shall carry conductive warp threads (one out of every three), another layer shall carry conductive weft threads (again, one out of every three) and a third layer shall lay between them and act as an insulator, keeping them apart and preventing unwanted contact between the two conductive layers. Constructing a treble cloth is a compicated process. The way that a treble cloth is woven is that first the face cloth is woven, then the centre cloth is woven, then the back cloth is woven. This is a draft for a treble cloth. The crosses indicate weaving marks for the cloth currently being woven, the dashes are lifts and are used to indicate shafts that are being lifted in the case of layers that are above the layer currently being woven. Blue is back, Red is front, Green is centre (All three layers are plain weave btw) The cloth is constructed like so 1: Back cloth is woven. All red and green marks are lif...

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