so I made a warp up of 1/15 worsted. And I did it in plain weave and 4-shaft honeycomb in both 24 and 32epi. The plain weave was better in 24 (more balanced and less sticking, which reminds me I really should learn to make and apply warp sizing to stop that from happening, it makes weaving plain weave in wool a real pain in the backside) but the honeycomb was better in 32, cos it's more weft-faced, innit
anyway, here's a pic of the 2. Both quite nice, I'll have to give it a go in the cashmere next week sometime, see how that goes.
And this ugly duckling on the right is the cashmere, after going through the wash (big mistake). See, I've been hoping to be able to weave multiple scarves in a single width, but due to a lack of proper finishing equipment, this is proving somewhat unlikely. Also, for some reason, the blue weft yarn in this scarf is shrinking and felting more (much more) than the white. Which doesn't make a lot of sense because they're from the same mill and brand. I can only assume that the blue yarn is subjected to a greater degree of wet finishing than the white, but it doesn't seem right to me. I'll have to go back and check the labels. I guess it could be that at some point someone's wound a yarn onto a cone that isn't what it says it is. Now, I can tell that it's cashmere, and it appears identical in count and quality to the white stuff, but that's no saying anything.
You can't tell yourself from the photo, but in the bordering regions between the body of the scarf and the false selvedge, the weft yarns have felted up. Now, you can still extract some of the white yarns, but the blue yarns are felted completely. Also, the blue weft sections are a great deal (well, a little bit) thicker than the white sections, and more inflexible.
It's a curious thing. I have a great deal to learn about cloth finishing evidently before I can hope to weave multiple scarves in a width and finish them properly without resorting to using overlocking or rolled hems or any of that unpleasantness which seriously detracts from the drape and softness of the item, in my opinion.
One of these days I guess I'll have to build a fulling machine, when I also own the old millhouse and pigs fly to spain on a daily basis
-Andrew
anyway, here's a pic of the 2. Both quite nice, I'll have to give it a go in the cashmere next week sometime, see how that goes.And this ugly duckling on the right is the cashmere, after going through the wash (big mistake). See, I've been hoping to be able to weave multiple scarves in a single width, but due to a lack of proper finishing equipment, this is proving somewhat unlikely. Also, for some reason, the blue weft yarn in this scarf is shrinking and felting more (much more) than the white. Which doesn't make a lot of sense because they're from the same mill and brand. I can only assume that the blue yarn is subjected to a greater degree of wet finishing than the white, but it doesn't seem right to me. I'll have to go back and check the labels. I guess it could be that at some point someone's wound a yarn onto a cone that isn't what it says it is. Now, I can tell that it's cashmere, and it appears identical in count and quality to the white stuff, but that's no saying anything.
You can't tell yourself from the photo, but in the bordering regions between the body of the scarf and the false selvedge, the weft yarns have felted up. Now, you can still extract some of the white yarns, but the blue yarns are felted completely. Also, the blue weft sections are a great deal (well, a little bit) thicker than the white sections, and more inflexible.
It's a curious thing. I have a great deal to learn about cloth finishing evidently before I can hope to weave multiple scarves in a width and finish them properly without resorting to using overlocking or rolled hems or any of that unpleasantness which seriously detracts from the drape and softness of the item, in my opinion.
One of these days I guess I'll have to build a fulling machine, when I also own the old millhouse and pigs fly to spain on a daily basis
-Andrew
Comments
Of course I don't *know* why, but my guess is that the lighter shades are made from bleached wool, and that bleached wool will shrink less, later.
Isn't it fun, all unpredictabilities...?
This could be gotten around by bleaching all yarn prior to dying, but then that'd end up using up more water and causing more pollution, and the last thing the textile industry needs is to use more water and produce more pollution