Skip to main content

The Contractual Obligation Post


Teacher told us to post to our blogs.

I am actually doing a class in college on blogging. It's almost unbelievable isn't it? I think i saw a music video for some bog-standard american pop-metal band where they're all sitting in Blogging 101 taking pictures of themselves.

As it goes, I finally cleared the table loom at the weekend and put a wee silk sample on it. 200 ends, and 56epi on a 14dent reed. it's going a lot better than the last one. and i got the rug loom almost beamed. should finish it tonite, but probably won't get much more done on it till the weekend.

Ho hum. More pictures when i'm finished

-a

Comments

Jane said…
HB --

You are quick on the draw when it comes to not allowing your loom to sit naked. A quality I admire!

I've left you a little 'gift' at my blog, please take a look.

Weave on,
Jane
www.rockartifacts.com/shuttlepilot
Anonymous said…
Wow! a blogging class? Cool! Let us know any inside tips.
Love the colours in this project.
A thank you to your teacher for "making" you blog! The silk looks lovely. 60/2 bombyx?
Andrew Kieran said…
60/2 bombyx?

lord only knows. i have yet to get round to learning my yarn counting systems. i'm still at the stage of looking at a yarn, comparing it to the acrylic knitting yarn you buy in the pound stores and the table loom with 14 dent reed (the first yarn and loom i've used) and figuring out the epi based on that.

i'll just say that it's the finest yarn i've ever used. i had to put a seperate selvedge of thicker wool on, as i can't weave it without as the selvedge threads go. i do have problems with the tension slightly as it's very sticky and doesn't strectch back out properly

this is now finished by the way, i have used 3/1 twill, 2/2 twill and plain weave to see what the effect is.

i have very noticeable reed marks in the plain weave, but it seems the longer the weft floats the less noticeable they are.

i'm going to make a couple more samples with this fibre. i intend to focus on increasing the width as with such a high epi i can't weave a huge width.

i shall firstly use a basket weave, doubling up in the heddles and the shuttle. And then, after having done a little but of research and using the printers at the college to print off that book on double weave i found on the internet (it's in my links somewhere) i shall attempt a double weave.

as it goes, my teacher doesn't need to make me blog, but it's nice to have a full 2 hours with a decent computer, cos i'm otherwise stuck with a half hour here n there.

i love college
Meg said…
Duly noted; homework done! Thus far you have five people who can sign a note to your teacher.

But seriously, this piece looks very promising! Can't wait to see more.

Popular posts from this blog

Tablet Weaving Lesson #1: Backstrap weaving a simple diamond motif

This is the first in a series of video and photo tutorials showing basic to advanced tablet-weaving concepts. These lessons shall each build on the last and hopefully take the viewer from simple diamond patterns up to more complicated double face pattern weaving with finer yarns and eventually onto the heady heights of brocading and other fancy techniques (just as soon as I learn how to do them myself). In this first lesson we'll learn the basic weaving steps involved in weaving a diamond pattern in the backstrap style. This lesson is meant for someone who has purchased a ready-made warp from me. The next lesson shall detail how to design and make this warp oneself. And we begin This is the basic pattern we are making. The woven band is tied to my waist with another strap. I am holding a small stick shuttle in my right hand which contains the weft. In front of me are the cards, each card has 4 warp threads going through it. The gap that you can see is called the

treble-cloth construction

I am currently in the process of designing a triple layered fabric. One layer shall carry conductive warp threads (one out of every three), another layer shall carry conductive weft threads (again, one out of every three) and a third layer shall lay between them and act as an insulator, keeping them apart and preventing unwanted contact between the two conductive layers. Constructing a treble cloth is a compicated process. The way that a treble cloth is woven is that first the face cloth is woven, then the centre cloth is woven, then the back cloth is woven. This is a draft for a treble cloth. The crosses indicate weaving marks for the cloth currently being woven, the dashes are lifts and are used to indicate shafts that are being lifted in the case of layers that are above the layer currently being woven. Blue is back, Red is front, Green is centre (All three layers are plain weave btw) The cloth is constructed like so 1: Back cloth is woven. All red and green marks are lif

The curse of the faulty rachet-stop + The contractual obligation video post

I got the warp wound on the medium sized loom last week, and threaded and sleyed it this weekend Now. The back beam is held by a ratchet. and the ratchet-stop is a plate of metal which is pulled up from the ratchet-wheel with a handle attached to the main upright. It seems that somewhere along the line of the last couple of weeks i must have bent the plate back a little cos it no longer holds tight against the wheel. i've tried holding it down with a piece of cord wrapped round the beam, but it's not having it and i've had the whole thing come loose while swinging the batten twice already. I've tried to remove the plate but one of the screws is held tight. I'm going to have to take it outside and hammer it flat on the doorstep. This is aggravating On another aggravating note, the shuttle keeps flying out of the race and hitting the wall when i beat from the left hand side on the larger loom and i can't figure out why, cos i haven't changed anything from the