having lots of fun with grid paper

i've been having fun today, weaving away and making up new drafts.

This is a selection of the drafts i've been making up as I idly whittle my time away, avoiding doing what i'm supposed to be doing in my timetabled class time. Also what I've been doing at home when i should be studying for a test on colour chemistry, which isn't going to be easy. We're also going to get tested on weave structures and processes, but I know most of that and besides it tends to conform to logical rules. Colour chemistry and dyeing and all that though you just have to know. I guess there probably is some logical consistency to it, but probably only if you already happen to be shit-hot at molecular chemistry and physics and biology. Which I'm not

I've also been weaving away (as I say) and have just finished my first sample of a pattern repeat i took from the knotwork book i mentioned before. It's working out rather well, although you can blatantly see the reed lines in the warp, it's a pain. With any luck it'll even itself out in finishing.

These pictures were taken with my new USB microscope. I got it for my birthday from my parents along with a beginner's Arduino kit, for which to be playing with textile electronics. i want to make an array of switches. It's difficult to explain. But now i have a microcontroller. Here is a picture close-up of a fucked-up bit of my bag where the fabric has been stretched and distorted due to rakes of stuff being stuffed into a small bag:

Is a little bit fuzzy, i forgot to take the lenscap off. Is good for examining fine fabrics close up and that. You can see how the fabric there's been damaged, is pretty good eh?

Anyhow, I've got a 24 shaft warp of 2/19's cotton to play with and more ideas than i know what to do with. considering that it takes me about an hour and a half to hammer in a 24 lag peg plan, it's probably worth taking care in what exactly i'm going to be weaving, as I can't spend all year making this one warp. I also have my special project to be working on, as well as a christmas present for my mum, which is a linen table runner and matching placemats. It's a surprise, but it's ok because she's allergic to the internet so she'll never know as long as noone tells her.

Having looked at some of these drafts a bit more closely it occurs they're occassionally flawed and wouldn't work actually. The above weave is a classic example of what happens when my love of symettry isn't working with commonsense and such.

-andrew

Comments

Tablet Weaving Lesson #1: Backstrap weaving a simple diamond motif

This is the first in a series of video and photo tutorials showing basic to advanced tablet-weaving concepts. These lessons shall each build on the last and hopefully take the viewer from simple diamond patterns up to more complicated double face pattern weaving with finer yarns and eventually onto the heady heights of brocading and other fancy techniques (just as soon as I learn how to do them myself). In this first lesson we'll learn the basic weaving steps involved in weaving a diamond pattern in the backstrap style. This lesson is meant for someone who has purchased a ready-made warp from me. The next lesson shall detail how to design and make this warp oneself. And we begin This is the basic pattern we are making. The woven band is tied to my waist with another strap. I am holding a small stick shuttle in my right hand which contains the weft. In front of me are the cards, each card has 4 warp threads going through it. The gap that you can see is called the ...

Hochdorf Two Hole Tablet Weaving

So, I saw a picture of a Hochdorf band woven by a member of the Historic Tablet Weaving group on Facebook. It looks like you can get more detailed patterning with this technique and you also get a nice sort of pebbled effect in the background weave. Anyway, so I googled it and found this webpage The Warp Factor , with a nice explanation of how to weave this band and a good diagram to go with it that tells you exactly when and where to turn the cards. Nice stuff. This is my second attempt at Hochdorf patterning. First was in acrylic to work out the technique and the use of the board. Second in 2/60's silk, to make something extra special nice. This is my new weaving board. It's a bit scrappy but it does the job. there's a few wee annoying problems with it, but the next one will be better. This is how tension is maintained on the band, with a nice even consistency. The main part of the band is held as one with a bag full of weights. The selvedge table...

treble-cloth construction

I am currently in the process of designing a triple layered fabric. One layer shall carry conductive warp threads (one out of every three), another layer shall carry conductive weft threads (again, one out of every three) and a third layer shall lay between them and act as an insulator, keeping them apart and preventing unwanted contact between the two conductive layers. Constructing a treble cloth is a compicated process. The way that a treble cloth is woven is that first the face cloth is woven, then the centre cloth is woven, then the back cloth is woven. This is a draft for a treble cloth. The crosses indicate weaving marks for the cloth currently being woven, the dashes are lifts and are used to indicate shafts that are being lifted in the case of layers that are above the layer currently being woven. Blue is back, Red is front, Green is centre (All three layers are plain weave btw) The cloth is constructed like so 1: Back cloth is woven. All red and green marks are lif...

weave4fun

Search This Blog